more accordion please.
portland lost (unless there was a sudden twist of fate in the last few minutes). there were three bunnies tonight (i’m just afraid that they’re going to declare them rodents at some point).
one of the things i miss most when i don’t have (access to) a car is the music part of it all. i ran out of this american life podcasts at work tonight (how will i stay awake without you, ira glass?!) and, all alone in my half of the building, danced around to gogol bordello. i’ve stated before and probably will again that they and the decemberists can lift me through most any trial.
it’s interesting. i love both of these bands, but neither of them is My Very Favorite. which might be why it works. kimya tmbg the magnetic fields the mountain goats have followed me up and down through so many times… while so far, the ‘cemberists and gogol help bring the downs up, because they don’t have any (so many, at least) major emotional attachments. never mind bands that have been loved and lost due to their memories, but we all have those (come down now, they’ll say).
gogol bordello is for dancing, standing waiting for the bus and being unable to refrain from moving my feet, in a flurry of cultural love and history. there’s a part of my heart that insists that these are my people, even though none of them actually share my czech culture (…that i know of). it’s an awesome thing to feel, though, because the nordic heritage i grew up with is awesome, but sometimes a bit culturally bland.
the decemberists fall more on that nordic side (of town), though, at least with the nautical emphasis. i’ve always been attracted to storytellers (and accordions), and love a song that i can get lost in. when you combine that with a sing-along-ability and that certain perfect amount of cleverer-than-thou-ness (because you know i was raised to believe it), they’re irresistible.
the hard thing about blasting your songs and speeding all the way home feeling infinite? is that the speeding actually makes the ending come sooner.
